]
XXI.
CAPITAL FROM THE APSE OF THE CHURCH OF S. VITALE, RAVENNA, ITALY.
This is one of the most beautiful and most characteristic capitals of
the Byzantine style. Its form and decoration are both typical of the
style. The flat treatment of the interlace of the vine motive is very
generally used, and can be seen in great variety in S. Vitale and
elsewhere. The ornament is here enriched with gold and color. In the
double capitals of Ravenna the upper member, or cushion, is usually
ornamented with symbolic designs drawn from various sources, both Pagan
and Christian.
[Illustration: XXII. Capital from the Church of S. Vitale, Ravenna,
Italy.]
XXII.
CAPITAL FROM THE CHURCH OF S. VITALE, RAVENNA, ITALY.
Here again is the rhomboidal double capital of a much more severe design
than that of the preceding plate, but with a remarkable delicacy and
refinement of treatment.
[Illustration: XXIII. Capital from the Church of S. Vitale, Ravenna,
Italy.]
XXIII.
CAPITAL FROM THE CHURCH OF S. VITALE, RAVENNA, ITALY.
This is a mean between the two extreme types shown in Plates XXI. and
XXII.
In all these examples the treatment of the angles should be noted.
Strong confining lines, with a distinct upward tendency of the ornament,
contrasted with the flat sides, contribute much to the good effect of
these capitals as constructive members.
Pages:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25