The columns surrounding the fountain, which unfortunately cannot be seen
in the general view given in Plate XX., show the richest decoration. The
shafts are either plain, rusticated, or covered with patterns executed
in relief or mosaic.
There appears to be some doubt as to the date of this work, as the
columns have evidently been inserted since the arches which spring from
them were built. The discrepancy will be seen in Plates XVIII., XIX.,
and XX. The disproportion of the dainty columns and capitals to the
heavy arches which are entirely in keeping with the architecture of the
rest of the cathedral, but which manifestly do not fit the columns,
leads to the conclusion that the columns were a later addition, although
probably inserted soon after the other work was completed.
[Illustration: XVII. Capitals from the Cloister of Monreale, Sicily.]
XVII.
CAPITALS FROM THE CLOISTER OF MONREALE, SICILY.
The hybrid character of this work will be perfectly evident at a glance.
It plainly belongs to none of the styles of the North, but nevertheless
has a distinct character and unmistakable charm. The use of mosaic
originally placed in the channels of the shafts added greatly to the
decorative effect and airiness of these columns.
[Illustration: XVIII. Capitals from the Cloister of Monreale, Sicily.
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