1-33);
Gaston Paris's Les Chansons de Gestes francaises (see his Histoire
poetique de Charlemagne, 1865, pp. 69-72);
George Saintsbury's The Chansons de Gestes (see his Short History of
French Literature, 1892, pp. 10-25);
Henri Van Laun's The Carlovingian Cycle (see his History of French
Literature, 1876, vol. i., pp. 141-148);
Ancient Literature of France, Quarterly Review, 1866, cxx. 283-323;
The Chanson de Roland, Westminster Review, 1873, c. 32-44;
M. Hayden's The Chansons de Geste, Dublin Review, 1894, cxiv. 346-357;
Charles Francis Keary's The Chansons de Geste:
the Song of Roland, Fraser's Magazine, 1881, civ. 777-789;
J. M. L.'s The Song of Roland, Macmillan's Magazine, 1862, vi. 486-501;
Agnes Lambert's The oldest epic of Christendom, Nineteenth Century, 1882,
xi. 77-101;
Andrew Lang's The Song of Roland and the Iliad, National Review, 1892, xx.
195-205;
Legend of Roland, Encyclopaedia Britannica, vol. xx.;
Gustave Masson's The Chanson de Roland, Leisure Hour, 1877, xxvi. 618-620;
The Song of Roland, Catholic World, 1873 and 1874, xviii. 378-388,
488-500;
The Song of Roland, Harper's Monthly, 1882, lxiv. 505-515;
The Month, 1880, xl. 515-527; Temple Bar, 1886, lxxviii. 534-540.
STANDARD ENGLISH TRANSLATIONS, THE SONG OF ROLAND.
The Song of Roland, as chanted before the Battle of Hastings by the
Minstrel Taillefer, Tr.
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