d., pp. 16-24);
Hugh Reginald Haweis's Nibelungenlied (see his Musical Memories, 1887, pp.
225-250);
Frederick Henry Hedge's Nibelungenlied (see his Hours with the German
Classics, 1887, pp. 25-55);
James K. Hosmer's Nibelungen Lied (see his Short History of German
Literature, 1891, pp. 23-77);
J. P. Jackson's Ring of the Nibelung, Cosmopolitan, 1888, vol. vi. pp.
415-433;
Henry W. Longfellow's Nibelungenlied (see his Poets and Poetry of Europe,
new ed., enlarged, 1882, pp. 217-227);
J. M. F. Ludlow's Lay and Lament of the Niblungs (see his Popular Epics of
the Middle Ages, 1865, pp. 105-183);
E. Magnusson and William Morris's Voelsungs Saga, story of the Voelsungs and
Niblungs, 1870;
William Morris's Story of Sigurd the Volsung and the Fall of the Niblungs,
1887;
F. Max Mueller's Das Nibelungenlied (see his German Classics, new ed.,
1893, vol. i., pp. 112-136);
Ernst Raupach's Nibelungen Treasure, a tragedy from the German with
remarks, 1847;
A. M. Richey's Teutonic and the Celtic Epic, Fraser's Magazine, 1874, vol.
lxxxix., pp. 336-354;
Wilhelm Scherer's Nibelungenlied (see his History of German Literature,
1893, vol. i., pp. 101-115);
Leda M. Schoonamaker's Nibelungen Lied, Harper's Magazine, 1877, vol. lv.,
pp. 38-51;
Bayard Taylor's Nibelungen Lied (see his Studies in German Literature,
1893, pp.
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