Inconsistencies, 73;
real or supposed, in _Hamlet_, 408;
in _Othello_, Note I;
in _King Lear_, 256, Note T;
in _Macbeth_, Notes CC, EE.
Ingram, Prof., 478.
Insanity in tragedy, 13;
Ophelia's, 164-5, 399;
Lear's, 288-90.
Intrigue in tragedy, 12, 67, 179.
Irony, 182, 338.
Isabella, 316, 317, 321.
Jameson, Mrs., 165, 204, 379.
Jealousy in Othello, 178, 194, Note L.
Job, 11.
Johnson, 31, 91, 294, 298, 304, 377, 420.
Jonson, 69, 282, 389.
Juliet, 7, 204, 210.
_Julius Caesar_, 3, 7, 9, 33, 34, 479;
conflict, 17-8;
exposition, 43-5;
crisis, 52;
dragging, 57;
counter-stroke, 58;
quarrel-scene, 60-1;
battle-scenes, 62;
and _Hamlet_, 80-2;
style, 85-6.
Justice in tragedy, idea of, 31-33, 279, 318.
Kean, 99, 243-4.
Kent, _307-10_, 314, 321, 447, Note W.
King Claudius, 28, 102, 133, 137, 142, _168-72_, 402, 422.
_King John_, 394, 490-1.
_King Lear_, exposition, 44, 46-7;
conflict, 17, 53-4;
scenes of high and low tension, 49;
dragging, 57;
false hope before catastrophe, 63;
battle-scene, 62, 456-8;
soliloquy in, 72, 222;
place among tragedies, 82, 88, see Tate;
Tate's, 243-4;
two-fold character, 244-6;
not wholly dramatic, 247;
opening scene, 71, 249-51, 258, 319-21, 447;
blinding of Gloster, 185, 251;
catastrophe, 250-4, 271, 290-3, 309, 322-6;
structural defects, 254-6;
improbabilities, etc.
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