See Notes A to H, and BB.
Hamlet, only tragic character in play, 90;
contrasted with Laertes and Fortinbras, 90, 106;
failure of early criticism of, 91;
supposed unintelligible, 93-4;
external view, 94-7;
'conscience' view, 97-101;
sentimental view, 101-4;
Schlegel-Coleridge view, 104-8, 116, 123, 126-7;
temperament, 109-10;
moral idealism, 110-3;
reflective genius, 113-5;
connection of this with inaction, 115-7;
origin of melancholy, 117-20;
its nature and effects, 120-7, 103, 158;
its diminution, 143-4;
his 'insanity,' 121-2, 421;
in Act II. 129-31, 155-6;
in III. i. 131-3, 157, 421;
in play-scene, 133-4;
spares King, 134-6, 100, 439;
with Queen, 136-8;
kills Polonius, 136-7, 104;
with Ghost, 138-40;
leaving Denmark, 140-1;
state after return, 143-5, 421;
in grave-yard, 145-6, 153, 158, 421-2;
in catastrophe, 102, 146-8, 151, 420-1;
and Ophelia, 103, 112, 119, 145-6, 152-9, 402, 420-1;
letter to Ophelia, 150, 403;
trick of repetition, 148-9;
word-play and humour, 149-52, 411;
aesthetic feeling, 133, 415;
and Iago, 208, 217, 222, 226;
other references, 9, 14, 20, 22, 28, 316, 353, Notes A to H.
Hanmer, 91.
Hazlitt, 209, 223, 228, 231, 243, 248.
Hecate, 342, Note Z.
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