See Iago.
Emilia, 214-6, 237, _239-42_, Note P.
Emotional tension, variations of, 48-9.
Evil, origin of conflict, 34;
negative, 35;
in earlier and later tragedies, 82-3;
poetic portrayal of, 207-8;
aspects of, specially impressive to Shakespeare, 232-3;
in _King Lear_, 298, 303-4, 327;
in _Tempest_, 328-30;
in _Macbeth_, 331, 386.
Exposition, 41-7.
Fate, Fatality, 10, 26-30, 45, 59, 177, 181, 287, 340-6.
Fleay, F.G., 419, 424, 445, 467, 479.
Fool in _King Lear_, the, 258, _311-5_, 322, 447, Note V.
Fools, Shakespeare's, 310.
Forman, Dr., 468, 493.
Fortinbras, 90.
Fortune, 9, 10.
Freytag, G., 40, 63.
Furness, H.H., 199, 200.
Garnet and equivocation, 397, 470-1.
Ghost, Banquo's, 332, 335, 338, 361, Note FF.
Ghost, Caesar's, Note FF.
Ghost in _Hamlet_, 97, 100, 118, 120, 125, 126, 134, 136, 138-40,
_173-4_.
Ghosts, not hallucinations because appearing only to one in a company,
140.
Gloster, 272, _293-6_, 447.
Gnomic speeches, 74, 453.
Goethe, 101, 127, 165, 208.
Goneril, 245, _299-300_, 331, 370, 447-8.
Greek tragedy, 7, 16, 30, 33, 182, 276-9, 282.
Greene, 409.
Hales, J.W., 397.
_Hamlet_, exposition, 43-7;
conflict, 17, 47, 50-1;
crisis and counter-stroke, 52, 58-60, 136-7;
dragging, 57;
humour, and false hope, before catastrophe, 61, 63;
obscurities, 73;
undramatic passages, 72, 74;
place among tragedies, 80-8;
position of hero, 89-92;
not simply tragedy of thought, 82, 113, 127;
in the Romantic Revival, 92, 127-8;
lapse of time in, 129, 141;
accident, 15, 143, 173;
religious ideas, 144-5, 147-8, 172-4;
player's speech, 389-90, Note F;
grave-digger, 395-6;
last scene, 256.
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