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Bradley, A. C. (Andrew Cecil), 1851-1935

"Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth"


See _Hamlet_, etc.
Character, and plot, 12;
is destiny, 13;
tragic, 19-23.
Chaucer, 8, 346.
Children, in the plays, 293-5.
Cleopatra, 7, 20, 84, 178, 208.
Coleridge, 104-5, 107, 109, 127, 165, 200, 201, 209, 223, 226, 228, 249,
343, 353, 362, 389, 391, 392, 397, 412, 413.
Comedy, 15, 41.
Conflict, tragic, 16-9;
originates in evil, 34;
oscillating movement in, 50;
crisis in, 51-5;
descending movement of, 55-62.
Conscience. See Hamlet.
Cordelia, 29, 32, 203-6, 250, 290, 314, _315-26_, Note W.
_Coriolanus_, 3, 9, 43, 394-5;
crisis, 53;
hero off stage, 57;
counter-stroke, 58;
humour, 61;
passion, 82;
catastrophe, 83-4;
versification, Note BB.
Coriolanus, 20, 29, 83-4, 196.
Cornwall, 298-9.
Crisis. See Conflict.
Curtain, no front, in Shakespeare's theatre, 185, 458.
_Cymbeline_, 7, 21, 72, 80, Note BB;
Queen in, 300.

Desdemona, 32, 165, 179, 193, 197, _201-6_, 323, 433, 437-9.
Disillusionment, in tragedies, 175.
Dog, the, Shakespeare and, 268.
Don John, 110, 210.
Double action in _King Lear_, 255-6, 262.
Dowden, E., 82, 105, 330, 408.
Dragging, 57-8, 64.
Drunkenness, invective against, 238.

Edgar, _305-7_, 453, 465.
Edmund, 210, 245, 253, _300-3_, Notes P, Q.


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