Act, difficulty in Fourth, 57-8;
the five Acts, 49.
Action, tragic, 11, 12, 31;
and character, 12, 19;
a conflict, 16-19.
Adversity and prosperity in _King Lear_, 326-7.
Albany, _297-8_.
Antonio, 110, 404.
_Antony and Cleopatra_, 3, 7, 45, 80;
conflict, 17-8;
crisis, 53, 55, 66;
humour in catastrophe, 62, 395-6;
battle-scenes, 62-3;
extended catastrophe, 64;
faulty construction, 71, 260;
passion in, 82;
evil in, 83-4;
versification, 87, Note BB.
Antony, 22, 29, 63, 83-4.
_Arden of Feversham_, 9.
Ariel, 264.
Aristotle, 16, 22.
Art, Shakespeare's, conscious, 68-9;
defects in, 71-78.
Arthur, 294.
_As You Like It_, 71, 267, 390.
Atmosphere in tragedy, 333.
Banquo, 343, _379-86_.
Barbara, the maid, 175.
Battle-scene, 62, 451, 469;
in _King Lear_, 255, Note X.
Beast and man, in _King Lear_, 266-8;
in _Timon_, 453.
Bernhardt, Mme., 379.
Biblical ideas, in _King Lear_, 328.
Bombast, 73, 75-6, 389, Note F.
Brandes, G., 379, 393.
Brutus, 7, 14, 22, 27, 32, 81-2, 101, 364.
Caliban, 264.
Cassio, 211-3, _238-9_, 433-4.
Catastrophe, humour before, 61-2;
battle-scenes in, 62;
false hope before, 63;
extended, 62;
in _Antony_ and _Coriolanus_, 83-4.
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