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Bradley, A. C. (Andrew Cecil), 1851-1935

"Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth"


Yet I find it very difficult to believe in this interpretation. It is
not merely that the interest of Macbeth's struggle with himself and with
his wife would be seriously diminished if we felt he had been through
all this before. I think this would be so; but there are two more
important objections. In the first place the violent agitation described
in the words,
If good, why do I yield to that suggestion
Whose horrid image doth unfix my hair
And make my seated heart knock at my ribs,
would surely not be natural, even in Macbeth, if the idea of murder were
already quite familiar to him through conversation with his wife, and if
he had already done more than 'yield' to it. It is not as if the Witches
had told him that Duncan was coming to his house. In that case the
perception that the moment had come to execute a merely general design
might well appal him. But all that he hears is that he will one day be
King--a statement which, supposing this general design, would not point
to any immediate action.[292] And, in the second place, it is hard to
believe that, if Shakespeare really had imagined the murder planned and
sworn to before the action of the play, he would have written the first
six scenes in such a manner that practically all readers imagine quite
another state of affairs, and _continue to imagine it_ even after they
have read in scene vii.


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