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Bradley, A. C. (Andrew Cecil), 1851-1935

"Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth"

It does not
simply shift the division of the two Acts, it requires the disappearance
and re-entrance of the blind Gloster. Gloster, as the text stands, is
alone on the stage while the battle is being fought at a distance, and
the reference to the tree shows that he was on the main or lower stage.
The main stage had no front curtain; and therefore, if Act IV. is to end
where Spedding wished it to end, Gloster must go off unaided at its
close, and come on again unaided for Act V. And this means that the
_whole_ arrangement of the present Act V. Sc. ii. must be changed. If
Spedding had been aware of this it is not likely that he would have
broached his theory.[277]
It is curious that he does not allude to the one circumstance which
throws some little suspicion on the existing text. I mean the
contradiction between Edgar's statement that, if ever he returns to his
father again, he will bring him comfort, and the fact that immediately
afterwards he returns to bring him discomfort. It is possible to explain
this psychologically, of course, but the passage is not one in which we
should expect psychological subtlety.
FOOTNOTES:
[Footnote 276: Where did Spedding find this? I find no trace of it, and
surely Edgar would not have risked his life in the battle, when he had,
in case of defeat, to appear and fight Edmund.


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