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Bradley, A. C. (Andrew Cecil), 1851-1935

"Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth"

I think that most
of the gaps in Q1 were accidents of printing (like many other smaller
gaps in Q1), but that probably one or two were 'cuts'--_e.g._ Emilia's
long speech (_k_). The omission of (_i_) might be due to the state of
the MS.: the words of the song may have been left out of the dialogue,
as appearing on a separate page with the musical notes, or may have been
inserted in such an illegible way as to baffle the printer.
I come now to (_e_), the famous passage about the Pontic Sea. Pope
supposed that it formed part of the original version, but approved of
its omission, as he considered it 'an unnatural excursion in this
place.' Mr. Swinburne thinks it an after-thought, but defends it. 'In
other lips indeed than Othello's, at the crowning minute of culminant
agony, the rush of imaginative reminiscence which brings back upon his
eyes and ears the lightning foam and tideless thunder of the Pontic Sea
might seem a thing less natural than sublime. But Othello has the
passion of a poet closed in as it were and shut up behind the passion of
a hero' (_Study of Shakespeare_, p. 184). I quote these words all the
more gladly because they will remind the reader of my lectures of my
debt to Mr. Swinburne here; and I will only add that the reminiscence
here is of _precisely the same character_ as the reminiscences of the
Arabian trees and the base Indian in Othello's final speech.


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