SEARCH
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Prev | Current Page 473 | Next

Bradley, A. C. (Andrew Cecil), 1851-1935

"Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth"

Duncan's comment on the treachery of
Cawdor,
There's no art
To find the mind's construction in the face:
He was a gentleman on whom I built
An absolute trust,
is interrupted[198] by the entrance of the traitor Macbeth, who is
greeted with effusive gratitude and a like 'absolute trust.' I have
already referred to the ironical effect of the beautiful lines in which
Duncan and Banquo describe the castle they are about to enter. To the
reader Lady Macbeth's light words,
A little water clears us of this deed:
How easy is it then,
summon up the picture of the sleep-walking scene. The idea of the
Porter's speech, in which he imagines himself the keeper of hell-gate,
shows the same irony. So does the contrast between the obvious and the
hidden meanings of the apparitions of the armed head, the bloody child,
and the child with the tree in his hand. It would be easy to add further
examples. Perhaps the most striking is the answer which Banquo, as he
rides away, never to return alive, gives to Macbeth's reminder, 'Fail
not our feast.' 'My lord, I will not,' he replies, and he keeps his
promise. It cannot be by accident that Shakespeare so frequently in this
play uses a device which contributes to excite the vague fear of hidden
forces operating on minds unconscious of their influence.


Pages:
461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485