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Bradley, A. C. (Andrew Cecil), 1851-1935

"Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth"

She nowhere shows any sign of
having a bad heart; but she is common, sometimes vulgar, in minor
matters far from scrupulous, blunt in perception and feeling, and quite
destitute of imagination. She let Iago take the handkerchief though she
knew how much its loss would distress Desdemona; and she said nothing
about it though she saw that Othello was jealous. We rightly resent her
unkindness in permitting the theft, but--it is an important point--we
are apt to misconstrue her subsequent silence, because we know that
Othello's jealousy was intimately connected with the loss of the
handkerchief. Emilia, however, certainly failed to perceive this; for
otherwise, when Othello's anger showed itself violently and she was
really distressed for her mistress, she could not have failed to think
of the handkerchief, and would, I believe, undoubtedly have told the
truth about it. But, in fact, she never thought of it, although she
guessed that Othello was being deceived by some scoundrel. Even after
Desdemona's death, nay, even when she knew that Iago had brought it
about, she still did not remember the handkerchief; and when Othello at
last mentions, as a proof of his wife's guilt, that he had seen the
handkerchief in Cassio's hand, the truth falls on Emilia like a
thunder-bolt.


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