5
Iago stands supreme among Shakespeare's evil characters because the
greatest intensity and subtlety of imagination have gone to his making,
and because he illustrates in the most perfect combination the two facts
concerning evil which seem to have impressed Shakespeare most. The first
of these is the fact that perfectly sane people exist in whom
fellow-feeling of any kind is so weak that an almost absolute egoism
becomes possible to them, and with it those hard vices--such as
ingratitude and cruelty--which to Shakespeare were far the worst. The
second is that such evil is compatible, and even appears to ally itself
easily, with exceptional powers of will and intellect. In the latter
respect Iago is nearly or quite the equal of Richard, in egoism he is
the superior, and his inferiority in passion and massive force only
makes him more repulsive. How is it then that we can bear to contemplate
him; nay, that, if we really imagine him, we feel admiration and some
kind of sympathy? Henry the Fifth tells us:
There is some soul of goodness in things evil,
Would men observingly distil it out;
but here, it may be said, we are shown a thing absolutely evil,
and--what is more dreadful still--this absolute evil is united with
supreme intellectual power.
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