SEARCH
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Prev | Current Page 308 | Next

Bradley, A. C. (Andrew Cecil), 1851-1935

"Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth"

From
these sources, and especially from the latter, we should learn
something. For with Shakespeare soliloquy generally gives information
regarding the secret springs as well as the outward course of the plot;
and, moreover, it is a curious point of technique with him that the
soliloquies of his villains sometimes read almost like explanations
offered to the audience.[112] Now, Iago repeatedly offers explanations
either to Roderigo or to himself. In the first place, he says more than
once that he 'hates' Othello. He gives two reasons for his hatred.
Othello has made Cassio lieutenant; and he suspects, and has heard it
reported, that Othello has an intrigue with Emilia. Next there is
Cassio. He never says he hates Cassio, but he finds in him three causes
of offence: Cassio has been preferred to him; he suspects _him_ too of
an intrigue with Emilia; and, lastly, Cassio has a daily beauty in his
life which makes Iago ugly. In addition to these annoyances he wants
Cassio's place. As for Roderigo, he calls him a snipe, and who can hate
a snipe? But Roderigo knows too much; and he is becoming a nuisance,
getting angry, and asking for the gold and jewels he handed to Iago to
give to Desdemona. So Iago kills Roderigo. Then for Desdemona: a
fig's-end for her virtue! but he has no ill-will to her.


Pages:
296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320