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Bradley, A. C. (Andrew Cecil), 1851-1935

"Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth"

, who
indeed in several ways recalls the emasculated Hamlet of some critics,
and may, like the real Hamlet, have owed his existence in part to
Shakespeare's personal familiarity with the weaknesses and dangers of an
imaginative temperament.
That Shakespeare meant this trait to be characteristic of Hamlet is
beyond question. The very first line the hero speaks contains a play on
words:
A little more than kin and less than kind.
The fact is significant, though the pun itself is not specially
characteristic. Much more so, and indeed absolutely individual, are the
uses of word-play in moments of extreme excitement. Remember the awe and
terror of the scene where the Ghost beckons Hamlet to leave his friends
and follow him into the darkness, and then consider this dialogue:
_Hamlet._ It waves me still.
Go on; I'll follow thee.
_Marcellus._ You shall not go, my lord.
_Hamlet._ Hold off your hands.
_Horatio._ Be ruled; you shall not go.
_Hamlet._ My fate cries out,
And makes each petty artery in this body
As hardy as the Nemean lion's nerve.
Still am I called. Unhand me, gentlemen.


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