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Bradley, A. C. (Andrew Cecil), 1851-1935

"Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth"

He suddenly appears unannounced in
Ophelia's chamber; and his appearance and behaviour are such as to
suggest both to Ophelia and to her father that his brain is turned by
disappointment in love. How far this step was due to the design of
creating a false impression as to the origin of his lunacy, how far to
other causes, is a difficult question; but such a design seems certainly
present. It succeeds, however, only in part; for, although Polonius is
fully convinced, the King is not so, and it is therefore arranged that
the two shall secretly witness a meeting between Ophelia and Hamlet.
Meanwhile Rosencrantz and Guildenstern arrive, and at the King's request
begin their attempts, easily foiled by Hamlet, to pluck out the heart of
his mystery. Then the players come to Court, and for a little while one
of Hamlet's old interests revives, and he is almost happy. But only for
a little while. The emotion shown by the player in reciting the speech
which tells of Hecuba's grief for her slaughtered husband awakes into
burning life the slumbering sense of duty and shame. He must act. With
the extreme rapidity which always distinguishes him in his healthier
moments, he conceives and arranges the plan of having the 'Murder of
Gonzago' played before the King and Queen, with the addition of a speech
written by himself for the occasion.


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