The graveyard and the stage are pretty much the only places where you can
expect to find your friends--as you left them, five and twenty or fifty
years ago. I have noticed, I may add, that old theatre-goers bring back
the past with their stories more vividly than men with any other
experiences. There were two old New-Yorkers that I used to love to sit
talking with about the stage. One was a scholar and a writer of note; a
pleasant old gentleman, with the fresh cheek of an octogenarian Cupid.
The other not less noted in his way, deep in local lore, large-brained,
full-blooded, of somewhat perturbing and tumultuous presence. It was
good to hear them talk of George Frederic Cooke, of Kean, and the lesser
stars of those earlier constellations. Better still to breakfast with
old Samuel Rogers, as some of my readers have done more than once, and
hear him answer to the question who was the best actor he remembered, "I
think, on the whole, Garrick."
If we did but know how to question these charming old people before it is
too late! About ten years, more or less, after the generation in advance
of our own has all died off, it occurs to us all at once, "There! I can
ask my old friend what he knows of that picture, which must be a Copley;
of that house and its legends about which there is such a mystery.
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