About the time of Sulla the _mimes_ seem to have
displaced these old farces in popular favour, perhaps because their
fun was more varied; the mere fact that the actors did not wear masks
shows that the improvisation could be freer and less stereotyped. But
both kinds were alike coarse, and may be called the comedy of low life
in country towns and in the great city. Sulla's tastes seem to have
been low in the matter of plays, if we may trust Plutarch, who asserts
that when he was young he spent much of his time among _mimi_ and
jesters, and that when he was dictator he "daily got together from the
theatre the lewdest persons, with whom he would drink and enter into a
contest of coarse witticisms."[523] This may be due to the evidence of
an enemy, but it is not improbable; and it is possible that both Sulla
and Caesar, who also patronised the mimes, may have wished to avoid
the personal allusions which, as we have seen, were so often made or
imagined in the exhibition of tragedies, and have aimed at confining
the plays to such as would give less opportunity for unwelcome
criticism.
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