Yet the later tradition of his acting was rather that he was serious
and self-restrained; Horace calls him _gravis_, and Quintilian too
speaks of his _gravitas_.[515] Probably, like Garrick, he was capable
of a great variety of moods and parts. How carefully he studied the
varieties of gesticulation is indicated by a curious story preserved
by Valerius Maximus, that he and Roscius the great comedian used to
go and sit in the courts in order to observe the action of the orator
Hortensius.[516]
Roscius too was an early intimate friend of Cicero, who, like Caesar,
seems to have valued the friendship of all men of genius, without
regard to their origin or profession. Roscius seems to have been a
freedman;[517] his great days were in Cicero's early life, and he died
in 61 B.C., to the deep grief of all his friends.[518] So wonderfully
finished was his acting that it became a common practice to call any
one a Roscius whose work was more than usually perfect. He never could
find a pupil of whom he could entirely approve; many had good points,
but if there were a single blot, the master could not bear it.
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