Earlier in this same letter Cicero had told his friend Marius that on
this occasion certain old actors had re-appeared on the stage, who,
as he thought, had left it for good. The only one he mentions is the
great tragic actor Aesopus, who "was in such a state that no one could
say a word against his retiring from the profession." At one important
point his voice failed him. This may conveniently remind us that
Aesopus was the last of the great actors of tragedy, and that his best
days were in the early half of this century--another sign of the decay
of the legitimate drama. He was an intimate friend of Cicero, and from
a few references to him in the Ciceronian writings we can form some
idea of his genius. In one passage Cicero writes of having seen him
looking so wild and gesticulating so excitedly, that he seemed almost
to have lost command of himself.[514] In the description, already
quoted from the speech _pro Sestio_, of the scene in the theatre
before his recall from exile, he speaks of this "summus artifex" as
delivering his allusions to the exile with infinite force and passion.
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