He is constantly quoting the old plays,
especially the tragedies, and knows them very well: but he quotes them
almost invariably as literature only. Once or twice, as we shall see,
he recalls the gesture or utterance of a great actor, but as a rule he
is thinking of them as poetry rather than as plays. It may be noted
in this connexion that it was now becoming the fashion to write plays
without any immediate intention of bringing them on the stage. We read
with astonishment in a letter of Cicero to his brother Quintus, then
in Gaul, that the latter had taken to play-writing, and accomplished
four tragedies in sixteen days, and this apparently in the course of
the campaign.[503] One, the _Erigona_, was sent to his brother from
Britain, and lost on the way. We hear no more of these plays, and
have no reason to suppose that they were worthy to survive. No man of
literary eminence in that day wrote plays for acting, and in fact the
only person of note, so far as we know, who did so, was the younger
Cornelius Balbus, son of the intimate friend and secretary of Caesar.
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