The power of giving them
stirs no feeling of admiration in any one: it is a question of means
and not of character: and there is no one who is not by this time
sick and tired of them." To Cicero's refined mind they were naturally
repugnant; but young men like Curio, though they loved Cicero, were
not wont to follow his wholesome advice.[498]
We turn now to the dramatic element in the ludi, chiefly with the
object of determining whether, in the age of Cicero, it was of any
real importance in the social life of the Roman people. The Roman
stage had had a great history before the last century B.C., into which
it is not necessary here to enter. It had always been possible without
difficulty for those who were responsible for the ludi to put on
the stage a tragedy or comedy either written for the occasion or
reproduced, with competent actors and the necessary music; and there
seems to be no doubt that both tragedies and comedies, whether adapted
from the Greek (fabulae palliatae) or of a national character (fab.
Pages:
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379