More and more the notion gained
ground that a clever woman who wished to make a figure in society, to
be the centre of her own _monde_, could not well realise her ambition
simply as a married woman. She would probably marry, play fast and
loose with the married state, neglect her children if she had any, and
after one or two divorces, die or disappear. So powerfully did this
idea of the incompatibility of culture and wifehood gain possession
of the Roman mind in the last century B.C., that Augustus found his
struggle with it the most difficult task he had to face; in vain he
exiled Ovid for publishing a work in which married women are most
frankly and explicitly left out of account, while all that is
attractive in the other sex to a man of taste and education is assumed
to be found only among those who have, so far at least, eschewed the
duties and burdens of married life. The culta puella and the cultus
puer of Ovid's fascinating yet repulsive poem[232] are the products of
a society which looks on pleasure, not reason or duty, as the main
end of life,--not indeed pleasure simply of the grosser type, but the
gratification of one's own wish for enjoyment and excitement, without
a thought of the misery all around, or any sense of the self-respect
that comes of active well-doing.
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