This peculiar character of the Roman matron, a combination of dignity,
industry, and practical wisdom, was exactly suited to attract the
attention of a gentle philosopher like Plutarch, who loved, with
genuine moral fervour, all that was noble and honest in human nature.
Not only does he constantly refer to the Roman ladies and their
character in his _Lives_ and his _Morals_, but in his series of more
than a hundred "Roman questions" the first nine, as well as many
others, are concerned with marriage and the household life; and in
his treatise called _Coniugalia praecepta_ he reflects many of
the features of the Roman matron. From him, in Sir Thomas North's
translation, Shakespeare drew the inspiration which enabled him to
produce on the Elizabethan stage at least one such typical matron. In
Coriolanus he has followed Plutarch so closely that the reader may
almost be referred to him as an authority; and in the contrast between
the austere and dignified Volumnia and the passionate and voluptuous
Cleopatra of the later play, the poet's imagination seems to have been
guided by a true historical instinct.
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