It is they who express the national sentiment of
each tribe, and in case of war their accents uplift warriors, encourage the
brave, and wither the cowardly. They accompany themselves with a Basque
drum. Some, however, have with them one or two musicians who, after each
couplet, play an air on the flute as a refrain.[5]
[5] Hanoteau, Introduction.
In war-songs it is remarkable to see with what rapidity historical memories
are lost. The most ancient lay of this kind does not go beyond the conquest
of Algiers by the French. The most recent songs treat of contemporary
events. Nothing of the heroic traditions of the Berbers has survived in
their memory, and it is the Arab annalists who show us the role they have
played in history. If the songs relating to the conquest of Algeria had not
been gathered half a century ago, they would doubtless have been lost, or
nearly so, to-day. At that time, however, the remembrance was still alive,
and the poets quickly crystallized in song the rapidity of the triumph of
France, which represents their civilization:
"From the day when the Consul left Algiers,
The powerful French have gathered their hosts:
Now the Turks have gone, without hope of return,
Algiers the beautiful is wrested from them.
Pages:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25