There
were chairs upholstered in green which looked mouse-coloured where the
high lights struck along the backs and the arms--shallow-seated chairs
that made one's knees project foolishly high and far. Byrne saw a
cabinet at one end of the room, filled with sea-shells and knicknacks,
and above it was a memorial cross surrounded by a wreath inside a glass
case. Most of the wall space thronged with engravings whose subjects
ranged from Niagara Falls to Lady Hamilton. One entire end of the room
was occupied by a painting of a neck and neck finish in a race, and the
artist had conceived the blooded racers as creatures with tremendous
round hips and mighty-muscled shoulders, while the legs tapered to a
faun-like delicacy. These animals were spread-eagled in the most amazing
fashion, their fore-hoofs reaching beyond their noses and their rear
hoofs striking out beyond the tips of the tails. The jockey in the lead
sat quite still, but he who was losing had his whip drawn and looked
like an automatic doll--so pink were his cheeks. Beside the course, in
attitudes of graceful ease, stood men in very tight trousers and very
high stocks and ladies in dresses which pinched in at the waist and
flowed out at the shoulders. They leaned upon canes or twirled parasols
and they had their backs turned upon the racetrack as if they found
their own negligent conversation far more exciting than the breathless,
driving finish.
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