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Eeden, Frederik van, 1860-1932

"The Bride of Dreams"

Her cheerful acquiescence
and placid contentment in the enervated, marrowless shadow of what was
once, for a more childish generation, a solid joy, seemed pathetic to
me. Faithfully she sought her daily share of consecration, edification
and purification, that every human spirit needs as much as the body
needs a bath. But it was a dead, nerveless consecration through sounds
and impressions from which the living thought, the soul, had long
vanished. How could the poetry of the Hebrews and the thoughts of the
Middle Ages still touch her? Only the hollow tones of the declaiming
priests and the outward magnificence of the churchly edifice brought
something like a fleeting shadow of the true sense of the divine. And
in the poetry or music which she could really and wholly feel, in the
art of her age, in the thought and science of her age - the living,
direct expression of God - in these she did not seek, because round
about her no one realized that only in these consecration is found, and
must be sought for.


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