Smiling sweetly,
They, discreetly,
Ask for further evidences:
Thus invited,
He, delighted,
Gives the usual references.
This is business. Each is fluttered
When the offer's fairly uttered.
"Which of them has his affection?"
He declines to make selection.
Do they quarrel for his dross?
Not a bit of it - they toss!
Please observe this cogent moral -
English ladies never quarrel.
When a doubt they come across,
English ladies always toss.
Ballad: A Classical Revival
At the outset I may mention it's my sovereign intention
To revive the classic memories of Athens at its best,
For my company possesses all the necessary dresses,
And a course of quiet cramming will supply us with the rest.
We've a choir hyporchematic (that is, ballet-operatic)
Who respond to the CHOREUTAE of that cultivated age,
And our clever chorus-master, all but captious criticaster,
Would accept as the CHOREGUS of the early Attic stage.
This return to classic ages is considered in their wages,
Which are always calculated by the day or by the week -
And I'll pay 'em (if they'll back me) all in OBOLOI and DRACHMAE,
Which they'll get (if they prefer it) at the Kalends that are
Greek!
(At this juncture I may mention
That this erudition sham
Is but classical pretension,
The result of steady "cram.":
Periphrastic methods spurning,
To my readers all discerning
I admit this show of learning
Is the fruit of steady cram."!)
In the period Socratic every dining-room was Attic
(Which suggests an architecture of a topsy-turvy kind),
There they'd satisfy their twist on a RECHERCHE cold [Greek text
which cannot be reproduced],
Which is what they called their lunch - and so may you, if you're
inclined.
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